![]() Starting in November of 2020 she began re-recording the first five of six albums, the point of it being that it would significantly decrease the value of the original. It is important to note that around the time she left, Swift accounted for 80% of Big Machine Records revenue.įollowing the revelations, she came to the decision to reproduce those albums. When this acquisition was announced, Swift argued that she had been trying to buy her albums back for years and Big Machine Records would only give her ownership if she resigned with them and for every album produced she would get an old one back. However, in 2019 Big Machine Records was sold to Scooter Braun which meant that the ownership of Swift’s masters were transferred to Braun. In 2018, Swift left Big Machine Records and signed a new contract with Republic Records who allowed her to own all records produced with them starting with her 2019 album Lover. A key part of that contract was that Big Machine Records was the owner of the masters for the six studio albums Swift released as a part of that contract. When Swift was breaking out in the industry in 2005, she signed a 13 year contract with Big Machine Records. ![]() A master recording is the first recording of a song that is used for sales and distributions, and whoever owns these is in charge of whatever happens with that recording. The situation began with the sale of Swift’s master recordings. Despite the album being 13 years old, it has led the charts and highlighted the importance of artists’ rights. ![]() Taylor Swift is once again proving that she is the music industry through the release of her first re-recorded album Fearless (Taylor’s Version).
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